The Resurrection as Olive Branch: A Meditation

George S. Tate

George S. Tate, 鈥淭he Resurrection as Olive Branch: A Meditation,鈥 in Behold the Lamb of God: An Easter Celebration, ed. Richard Neitzel Holzapfel, Frank F. Judd Jr., and Thomas A. Wayment (Provo, UT: Religious Studies Center, Brigham Young University, 2008), 165鈥84.

George S. Tate was a professor of humanities and comparative literature at Brigham Young University when this was published.

This chapter is perhaps less a doctrinal exposition than a personal meditation on the Resurrection. I would like to begin with one of the most poignant moments in all of sacred music; it occurs near the end of Bach鈥檚 St. John Passion. In this work, Bach has set every word of the Passion narrative found in the Gospel of John鈥攆rom the betrayal, through the Crucifixion, to the burial. In addition, Bach intersperses, among passages sung by the Evangelist, choral pieces and arias that comment on the action in various ways. The aria that I find so touching comes just after Jesus says, at the end of His agony on the cross, 鈥淚t is finished,鈥 and the Evangelist then says, 鈥淎nd he bowed his head, and gave up the ghost鈥 (John 19:30). Here Bach inserts this introspective, lyrical bass aria, in which a witness to the Crucifixion鈥攔epresenting any one of us鈥攚onders what the words 鈥淚t is finished鈥 and the bowing of the head imply:

My beloved Savior, let me ask Thee,

since . . . Thou hast Thyself said, 鈥淚t is finished鈥

does this mean that I am freed from death?

Can I gain the heavenly kingdom

through Thy suffering and dying?

Is the redemption of the whole world at hand?

Thou canst not speak for agony,

yet Thou bowest Thy head

and sayest in silence, 鈥淵es鈥![1]

As Bach has arranged the text, Jesus鈥檚 last mortal act, the bowing of His head, affirms that the Atonement has indeed been accomplished, that we are freed from death, that we can return to God, and that redemption is available to all.

Note that it is before the Resurrection, Bach鈥檚 contemplative witness asks, 鈥淒oes this mean that I am freed from death?鈥 I would like to explore what may seem an odd question: What is the relationship between the Atonement and the resurrection of the body? Was not the Atonement completed with Christ鈥檚 death on the cross? The price of sin was paid through Christ鈥檚 agony in Gethsemane and His sacrifice on Golgotha. The Savior took our sins upon Him and, bearing them, was slain for us. The scriptures tell us that from Adam to the time of Christ, the offering of sacrifices prefigured the atoning sacrifice of the Lamb of God (see Moses 5:6鈥7). But in none of these offerings was the sacrificial lamb required to rise again in order for the offering to be acceptable and complete.

Why, then, the resurrection of the body? Did not Christ, acting under direction of the Father, create the physical world even though He had not yet obtained a physical body? As Jehovah, God of the Old Testament, He worked miracles with the elements: the Flood, the parting of the Red Sea, water from the rock, and the fire called down upon the altar. He touched the stones made by the brother of Jared (who by faith saw His finger, then His whole spirit body) and caused the stones to give forth light (see Ether 3:6鈥13). If a physical body is not necessary to exercise power over matter, why should the Resurrection be necessary at all?

In times of grief, we often speak of the comfort of the Resurrection. We find a certain consolation in the reverence we show to the body at death: clothing it in temple robes when appropriate, treasuring it up in a casket, gathering around it for family prayer, dedicating the grave as its resting place and as a place of remembrance. But it is not as if at death the loved one ceases to exist or remains static and dormant until the Resurrection. Despite our metaphors of rest or sleep, we know鈥攕ome from personal experience鈥攖hat the spirit continues after death as an active individual.[2] Thus, the continuity of life is, paradoxically, not broken by death. The person, having been tested in the body in this world, has accomplished this estate and continues in a spirit body, which Doctrine and Covenants 131:7 tells us is also matter, but matter more refined than that which makes up our flesh: 鈥淎ll spirit is matter, but it is more fine or pure, and can only be discerned by purer eyes.鈥 Is not this knowledge of continuity, and the assurance that we will be reunited in the spirit with our deceased loved ones when we die, sufficient comfort? It was, after all, in His spirit body that Christ created the Awakening Prisonerphysical world. There would seem to be little by way of limitation.

Why is it, then, that the resurrection of the body is necessary in the eternal scheme of things? We may first ask ourselves how we view the body. I remember several medieval poems which imagine spirit and body debating with each other at death鈥攖he spirit blaming the body for corrupting it, the body blaming the spirit for not having tamed it, and so on.[3] The disparagement of the body is fairly common in Christian tradition: one of the early major debates on the nature of the Godhead concerned whether Christ could be equal with the Father since He took on flesh and was therefore tainted with corruption.[4] Latter-day Saints do not share this question, but there is, I think, some ambivalence toward the body in our culture.

On the one hand, we value the body, knowing that its acquisition is one of the chief reasons for our coming to earth, yet we often find ourselves in conflict with its appetites and limitations as we strive for greater spirituality. Paul writes of this struggle in Romans: 鈥淚 delight in the law of God after the inward man: but I see another law in my members, warring against the law of my mind, and bringing me into captivity to the law of sin which is in my members. O wretched man that I am! who will deliver me from the body of this death?鈥 (Romans 7:22鈥24).

Maybe an analogy would help us see this ambivalence more clearly: no artist has ever been more deeply convinced than Michelangelo of the natural nobility, beauty, and expressiveness of the human form鈥擥od鈥檚 highest creation. As he writes in a sonnet:

Nor does God, in his grace, show himself to me

anywhere more than in some fair mortal veil;

and that alone I love, since he鈥檚 mirrored in it.[5]

The human form was for Michelangelo the center of all his art. And yet his early engagement with Neoplatonism led him to view the body, composed as it is of matter, as a prison from which the soul, drawn to the higher realm, struggles to be free. He saw a relationship between this struggle and his work as a sculptor鈥攚hich he described as freeing the captive form from the marble (fig. 1). As he writes in poem to his friend Vittoria Colonna:

Just as, by taking away, lady, one [makes

in] hard and alpine stone

a figure that鈥檚 alive

and that grows larger wherever the stone decreases,

so too are any good deeds

of the soul that still trembles

concealed by the excess mass of its own flesh,

which forms a husk that鈥檚 coarse and crude and hard.[6]

At the beginning of another famous sonnet, Michelangelo write again of the form inherent in the marble, waiting to be released:

Not even the best of artists has any conception

that a single marble block does not contain

within its excess, and that is only attained

by the hand that obeys the intellect.[7]

Michelangelo鈥檚 ambivalence is clear: the human form mirrors the divine, yet the soul, like the form the sculptor seeks to liberate from marble, is imprisoned in a husk of coarse flesh.

Returning to Paul, we should remember that even though he wrote to the Romans about the body鈥檚 warring members, he also called the body 鈥渢he temple of God,鈥 鈥渢he temple of the Holy Ghost,鈥 and a member of Christ (1 Corinthians 3:16; 6:15; 6:19). Paul wrote further to the Corinthians: 鈥淔or we that are in this tabernacle [of flesh] do groan, being burdened: not for that we would be unclothed [that is, rid of the body], but clothed upon, that mortality might be swallowed up of life鈥 (2 Corinthians 5:4). He refers to our being 鈥渃lothed upon with our house which is from heaven鈥 (2 Corinthians 5:2), our resurrected body, as receiving an 鈥渆xceeding and eternal weight of glory鈥 (2 Corinthians 4:17).

To come back to our question, why the resurrection of the physical body if the continuity of being is not broken at death and the spirit body has the capacity to act on matter? The answer I find most satisfying is that the Resurrection is an olive branch proffered to the body; it completes the Atonement鈥攊ndeed, completes creation鈥攂y eternally reconciling matter and spirit. That is, the Resurrection affirms and hallows the body and the physical world from which its elements derive.

It is in this context that we might consider the familiar passage in John 3:16: 鈥淔or God so loved the world that he gave his only begotten Son.鈥 John does not say, 鈥淕od so loved His children, who of necessity had to be in the world in order to be tested,鈥 but that He loved the world. The passage continues: 鈥淔or God sent not his Son into the world to condemn the world; but that the world through him might be saved鈥 (John 3:17). This does not mean, of course, that there is no sense in which the world must be overcome鈥攔emember President Gordon B. Hinckley鈥檚 vivid phrase, 鈥渢he slow stain of the world,鈥 when he introduced the proclamation on the family[8]鈥攂ut it does mean that the world, as physical creation, was and is lovable. (The Greek often uses different words for these two senses of world: kosmos, physical creation, for the world God so loved, and 补颈艒苍, our word 鈥渁eon鈥 or 鈥渁ge,鈥 for the world we must not love.)[9] God pronounced the world鈥檚 physical creation good; it was baptized by water and will be by fire; it groaned at the Crucifixion of the Savior; and it will be renewed physically and 鈥渃rowned with celestial glory.鈥[10] The joyous rebirth of growth each spring prefigures this ultimate renewal. The earth, and the fulness thereof (see Psalm 24:1; 1 Corinthians 10:26).

It was, after all, in His physical body that Christ showed us the way; it was through His body that the Atonement was effected; it is by His body that the Atonement is symbolized and renewed in the sacrament (see 2 Corinthians 4:10); it was through the gesture and breath of His resurrected body that Christ bestowed peace and the gift of the Holy Ghost upon His disciples (see John 20:21鈥22). Christ bore witness of His divinity by inviting His Nephite followers, one by one, to touch the wounds of His resurrected body (see 3 Nephi 11:14鈥15). Through His incarnation and through the Resurrection of His body, the Savior validated matter and confirmed for us that embodiment is integral to eternal life, even to godhood. In this, as in all else, He showed us the way.

Hence it is in the body that we must receive the saving ordinances; spirits cannot receive them except by the proxy of a body. The body is our partner in testing: it is both the instrument through which we are most directly tempted and the schoolmaster that teaches us through pain and sensory perception. The body is the tangible record of our own earthly history. It is not a husk or a prison, nor is it something we possess as we possess a car, but it is part of us鈥攕o much so that even the righteous 鈥渄ead [look] upon the long absence of their spirits from their bodies as a bondage鈥 (D&C 138:50). Bondage does not consist, as the legacy of Platonic dualism would have it, of being in the body, but of being separated from it.

In an 1833 letter to W. W. Phelps, Joseph Smith called the revelation that comprises Doctrine and Covenants 88 the 鈥渙live leaf . . . plucked from the Tree of Paradise, the Lord鈥檚 message of peace to us.鈥[11] From this passage I have adapted my title. Section 88 contains the deepest doctrine of the Resurrection in modern scripture. In verses 15鈥16 we read: 鈥淭he spirit and the body are the soul of man. And the resurrection from the dead is the redemption of the soul鈥濃攖hat is, the redemption of the unity of body and spirit. These verses suggest to me that it is, finally, impossible to separate spiritual death from physical death. Paul writes that 鈥渢he wages of sin is death鈥 (Romans 6:23); that is, we inherit physical death from Adam鈥檚 transgression and spiritual death from our sins. To think of the solution to spiritual death as a cleansing only, a washing away of sins, is to forget that it is a death at all. If a death, then its remedy lies in rebirth: resurrection on the morning of the First Resurrection, effected through the Savior鈥檚 sacrifice, prefigured in His own Resurrection, and symbolized by our baptism鈥攖he token of our spiritual rebirth. As Jacob writes, 鈥淔or behold, if the flesh should rise no more our spirits must become subject to that angel who fell from before the presence of the Eternal God, and became the devil, to rise no more鈥 (2 Nephi 9:8).

It is in the unity of matter and spirit that we are redeemed and experience joy. According to Doctrine and Covenants 93:33鈥34, 鈥淭he elements are eternal, and spirit and element, inseparably connected, receive a fulness of joy: and when separated, man cannot receive a fulness of joy鈥 (emphasis added). As the Prophet Joseph Smith wrote, 鈥淭he great principle of happiness consists in having a body.鈥[12]

Thiepval memorial to the missing of the SommeI especially love President Howard W. Hunter鈥檚 words about the centrality of the Resurrection: 鈥淏ut the doctrine of the Resurrection is the single most fundamental and crucial doctrine in the Christian religion. It cannot be overemphasized, nor can it be disregarded. Without the Resurrection, the gospel of Jesus Christ becomes a litany of wise sayings and seemingly unexplainable miracles鈥攂ut sayings and miracles with no ultimate triumph. No, the ultimate triumph is in the ultimate miracle.鈥[13] In other words, even though Christ鈥檚 last words from the cross were, 鈥淚t is finished鈥 (John 19:30), and Bach鈥檚 contemplative witness finds affirmation for his question, 鈥淒oes this mean that I am freed from death?鈥 the triumph over death is ultimately expressed, and the Atonement completed, only through the holy Resurrection.

The Resurrection is the olive branch of peace to the body. The Hebrew word for peace, shalom, has many associated meanings, including welfare, safety, tranquility, and friendship; but its primary meaning is completeness, wholeness, and even perfection. This meaning of wholeness underlies Jesus鈥檚 words to the woman who touched His robe in the crowd: 鈥淒aughter, be of good comfort: thy faith hath made thee whole; go in peace鈥 (Luke 8:48).[14] As I have thought of this miracle and other miracles in which Jesus connects peace and wholeness, I remember the stress laid upon physical health in modern revelation: the Word of Wisdom, blessings pronounced in the temple, and the possibility of the spiritual renewal of the body mentioned in Doctrine and Covenants 88:67: 鈥淵our whole bodies shall be filled with light鈥 and shall comprehend all things. All these things point ahead to the ultimate peacemaking between body and spirit, in which the body will be born again out of the baptism of its mortality and integrated with the spirit in perfect, glorified wholeness. This is to me a joyous prospect, and it must be especially joyous to people whose particular calling it is to suffer chronic ill health鈥攍ameness, blindness, or another ailment鈥攚ho wait patiently, often in pain, for promises to be fulfilled.

Inscribed pipers and altarlike Great War Stone

In London on study abroad, I have several times taught a course on the First World War and its impact. As part of the program, my classes and I have visited some of the battlefields and memorials associated with the Battle of the Somme, on the first day of which the British alone suffered nearly 60,000 casualties. One of these monuments is the Thiepval Memorial to the Missing of the Somme (figs. 2鈥3). On the monument鈥檚 great piers, which can be seen for miles around, are inscribed the names of over 73,000 British soldiers whose bodies were never found, having been torn apart or pulverized by high explosive artillery or ground into the mud during the relentless action. These soldiers fought on a mere fourteen-mile section of the five-hundred-mile front. There are nearly one thousand well-kept British cemeteries from World War I in France and Flanders, one hundred seventy of them alone within a fourteen-mile radius of Albert on the Somme, but on every battlefield you are reminded that you are walking over the unrecovered dead who lie outside of these.[15] Over nine million soldiers died in the war鈥攖he greater part of a whole generation lost. On such ground, one feels overcome with a sense of pathos and reverence (fig. 4). As one of my students wrote in her journal: 鈥淚t was so . . . I really struggle with putting it in words. Very sobering. Very tragic. Heartrending. Unfair. Wasteful. Peaceful. Made me grateful. It made me think of the Resurrection. What a time that will be for those places!鈥[16]

Having found some comfort in being able to show reverence to the body in my own deepest experiences of grief, I think of these missing young men on the Somme, torn to bits and ground into the mud; of my great-great-grandmother buried with her unborn child at sea on her way from Denmark to Zion; and of a Latter-day Saint father鈥攁bout whom Robert Matthews has written in one of the most profound discussions of the Resurrection I have read鈥攁 father who had lost hope of ever seeing his son again, even in the next life, because his son was killed in World War II as his ship exploded and disappeared into the Pacific. In his grief, the absence of his son鈥檚 body overtaxed his faith in a resurrection; he could not imagine that elements so scattered could ever be reconstituted.[17]

Serre Road 2 Cemetary

When our son Doug was a graduate student in biophysics at Johns Hopkins, he gave a formal presentation on nerve regeneration鈥攚hy the axons in the human central nervous system do not regenerate after injury, whereas those of the peripheral nervous system do.[18] The axon of a single cell of the central nervous system is just one minuscule element of the living body. The difference between one axon鈥檚 possible regeneration鈥攖he secret of which still remains to be discovered鈥攁nd the regeneration of a whole body whose elements have long since decayed and dispersed is astronomical. And the difference between one such regeneration and the resurrection of every body that has ever clothed a spirit over the whole history of the earth is simply beyond comprehension.

How this great peacemaking will work, by what deep miraculous power the disparate elements that made up the body will once again be united so that鈥攁s we are promised鈥攏ot a mote or a hair is lost (see D&C 29:25), we cannot begin to grasp, but I testify that these promises are true. The triumph of this miracle is so great that Easter eclipses every other day. Thus George Herbert, the seventeenth-century religious poet, ends his poem 鈥淓aster鈥:

Can there be any day but this,

Though many suns to shine endeavour?

We count three hundred, but we miss:

There is but one, and that one ever.[19]

Notes

[1] BWV 245, no. 32. The German text, given below, is from Alfred D眉rr, Johann Sebastian Bach, St John Passion: Genesis, Transmission, and Meaning, trans. Alfred Clayton (Oxford: Oxford University Press, 2000), 164. For greater directness I have omitted the struck-out phrase in my translation:

Mein teurer Heiland, la脽 dich fragen,

Da du nunmehr ans Kreuz geschlagen

und selbst gesagt: Es ist vollbracht,

Bin ich vom Sterben frei gemacht?

Kann ich durch deine Pein und Sterben

Das Himmelreich ererben?

Ist aller Welt Erl枚sung da?

Du kannst vor Schmerzen zwar nichts sagen;

Doch neigest du das Haupt

Und sprichst stillschweigend: ja.

This is one of five poems, in free form, which Bach adapted from a 1712 Passion libretto by Barthold Heinrich Brockes: Der f眉r die S眉nden der Welt gemarterte und sterbende Jesus (Jesus, tortured and dying for the sin[s] of the world)鈥攁 libretto Telemann, Handel, and other composers set in its entirely. Bach, however, began with the whole text of John 18鈥19, then added a chorale and twelve short texts from various sources, including Brockes (see Christoph Wolff, Johann Sebastian Bach: The Learned Musician [New York: W. W. Norton, 2000], 292鈥93). The German 鈥淓s ist vollbracht鈥 (line 3) is somewhat more forceful than the King James Version鈥檚 鈥淚t is finished鈥; the verb suggests 鈥渂rought fully to completion, brought to wholeness.鈥

[2] Sleep is, of course, a frequent metaphor for death, and this can lead to some confusion between literal and figurative senses. A good instance of this is in John 11, when Jesus tells His disciples: 鈥淥ur friend Lazarus sleepeth [办别办辞颈尘脓迟补颈 鈥榟as fallen asleep鈥橾; but I go, that I may awake him out of sleep. Then said his disciples, Lord, if he sleep, he shall do well. Howbeit Jesus spake of his death: but they thought that he had spoken of taking of rest in sleep [t膿s koim膿se艒s tou hypnou]. Then said Jesus unto them plainly, Lazarus is dead鈥 (vv. 11鈥14). See also Paul鈥檚 figurative use of sleep with reference to Christ as 鈥渢he firstfruits of them that slept [t艒n kekoim膿men艒n]鈥 (1 Corinthians 15:20). The Greek verb 办辞颈尘补艒 used in these examples underlies our word cemetery, from 办辞颈尘脓迟脓谤颈辞苍 鈥渄ormitory, a place for sleeping.鈥 It is sometimes pleasant to imagine that the spirit is dormant, that it sleeps (rests in peace) between death and the resurrection. The Prophet Joseph Smith implies this in his memorial sermon on the death of Lorenzo Barns, the first Latter-day Saint missionary to be buried abroad: 鈥淚t is pleasing for friends to lie down together locked in the arms of love, to sleep, & locked in each others embrace & renew their conversation鈥 when they 鈥渞ise up in the morning鈥 (Joseph Smith diary, by Willard Richards, April 16, 1843, in The Words of Joseph Smith, ed. Andrew F. Ehat and Lyndon W. Cook [Provo, UT: Religious Studies Center, Brigham Young University, 1980], 195). But it is clear from various sources, especially Doctrine and Covenants 138, that the spirit is not dormant. Rather it is the body, whole or dispersed, that sleeps: 鈥淭heir sleeping dust was to be restored unto its perfect frame, bone to his bone, and the sinews and the flesh upon them, the spirit and the body to be united never again to be divided, that they might receive a fulness of joy鈥 (D&C 138:17; emphasis added).

[3] The fullest and most dramatic of these poems is 鈥Als I lay in a winteris nyt: A Debate between the Body and the Soul,鈥 in John W. Conlee, ed., Middle English Debate Poetry: A Critical Anthology (East Lansing, MI: Colleagues Press, 1991), 18鈥49. Such poems exist in various vernaculars and in Latin; for the latter, see Eleanor Kellog Heningham, 鈥淎n Early Latin Debate of the Body and Soul, Preserved in MS Royal 7 A III in the British Museum鈥 (PhD diss., New York University, 1939).

[4] See 鈥淎rianism鈥 in the Catholic Encyclopedia, which begins: 鈥淔irst among the doctrinal disputes which troubled Christians after Constantine had recognized the Church in A.D. 313, and the parent of many more during some three centuries, Arianism occupies a large place in ecclesiastical history.鈥 Arius 鈥渄escribed the Son as a second, or inferior God, standing midway between the First Cause and creatures. . . . Using Greek terms, [Arianism] denies that the Son is of one essence, nature, or substance with God; He is not consubstantial (homoousios) with the Father, and therefore not like Him, or equal in dignity, or co-eternal, or within the real sphere of Deity 鈥 (Charles G. Herbermann and others, eds., Catholic Encyclopedia [1913], s.v. 鈥淎rianism,鈥 now available online at http://www.newadvent.org/cathen/01707c.htm [accessed May 23, 2007]).

[5] Poem 106, in James M. Saslow, trans., The Poetry of Michelangelo: An Annotated Translation (New Haven, CT: Yale University Press, 1991), 238. Saslow cites and translates from the text of the standard edition by Enzo Girardi (1960). The Italian reads:

n茅 Dio, suo grazia, mi si mostra altrove

pi霉 che 鈥檔 alcun leggiadro e mortal velo;

e quel sol amo, perch鈥檌n lui si specchia.

[6] Poem 152, Saslow, The Poetry of Michelangelo, 305. The Italian text:

S矛 come per levar, donna, si pone

in pietra alpestra e dura

una viva figura,

che l脿 pi霉 cresce u鈥 pi霉 la pietra scema;

tal alcun鈥檕pre buone,

per l鈥檃lma che pur trema,

cela il superchio della propria carne

co鈥 l鈥檌nculta sua cruda e dura scorza.

[7] Poem 151, Saslow, The Poetry of Michelangelo, 302; emphasis in original. The Italian is below:

Non ha l鈥檕ttimo artista alcun concetto

c鈥檜n marmo solo in s茅 non circonscriva

col suo superchio, e solo a quello arriva

la man che ubbidisce all鈥檌ntelletto.

For further discussion of Michelangelo鈥檚 aesthetics and poetry, see Robert J. Clements, Michelangelo鈥檚 Theory of Art (New York: Gramercy, 1961).

[8] Gordon B. Hinckley, 鈥淪tand Strong against the Wiles of the World,鈥 Ensign, November 1995, 100. The phrase 鈥渢he slow stain of the world鈥 ultimately derives from Shelley鈥檚 鈥淎donais: An Elegy on the Death of John Keats,鈥 lines 356鈥57: 鈥淔rom the contagion of the world鈥檚 slow stain / He is secure鈥 (The Complete Poems of Percy Bysshe Shelley with Notes by Mary Shelley [New York: Modern Library, 1994], 495).

[9] This pattern is not completely consistent and varies somewhat according to author. John, for example, uses only kosmos, though his sense is usually neutral (physical creation without moral overtones), except perhaps in 16:33, 鈥淚 have overcome the world,鈥 and 17:14, 鈥渢he world hath hated them.鈥 For an example, see the high-priestly prayer in John 17, in which the word kosmos occurs fifteen times (vv. 5, 6, 9, 11, 12, 13, 14 [2], 15, 18 [2], 21, 23, 24, 25). Some morally laden instances of 补颈艒苍 for 鈥渨orld鈥 are Matthew 13:22, 鈥渃are of this world鈥 (Parable of the Sower); Romans 12:2, 鈥渂e not conformed to this world鈥; 1 Corinthians 2:8, 鈥渢he princes of this world鈥; 2 Corinthians 4:4, 鈥渢he god of this world鈥; Galatians 1:4, 鈥渄eliver us from this present evil world鈥; Ephesians 6:12, 鈥渢he rulers of the darkness of this world鈥; and 2 Timothy 4:10, 鈥渉aving loved this present world.鈥

[10] See Joseph Smith, Teachings of the Prophet Joseph Smith, comp. Joseph Fielding Smith (Salt Lake City: Deseret Book, 1976), 181: 鈥淭his earth will be rolled back into the presence of God, and crowned with celestial glory鈥; compare D&C 88:25鈥26).

[11] From the section heading of Doctrine and Covenants 88; see also Joseph Smith, History of the Church of Jesus Christ of Latter-day Saints, ed. B. H. Roberts, 2nd ed. rev. (Salt Lake City: Deseret Book, 1957), 1:316.

[12] Joseph Smith, Teachings of the Prophet Joseph Smith, comp. Joseph Fielding Smith (Salt Lake City: Deseret Book, 1976), 181.

[13] Howard W. Hunter, 鈥淎n Apostle鈥檚 Witness of the Resurrection,鈥 Ensign, May 1986, 16.

[14] For a more complete discussion of the relationship between peace and wholeness, see George S. Tate, 鈥淭he Peace of Christ,鈥 Ensign, April 1978, 44鈥47.

[15] This is explicit, for example, in John Oxenham鈥檚 poem inscribed at the entrance to the Newfoundland Memorial Park at Beaumont-Hamel, its grassy battlefield and trenches preserved in part to commemorate a regiment almost completely destroyed on the first day of the Somme:

Tread softly here! Go reverently and slow!

Yea, let your soul go down upon its knees,

And with bowed head, and heart abased, strive hard

To grasp the future gain in this sore loss!

For not one foot of this dank sod but drank

Its surfeit of the blood of gallant men,

Who, for their faith, their hope,鈥攆or Life and Liberty,

Here made the sacrifice,鈥攈ere gave their lives,

And gave right willingly鈥攆or you and me.

Much of the countryside of Northern France and Flanders is a boneyard still; every year farmers turn up the bones of the dead as they plow their fields.

[16] Sharon J. Harris journal, July 14, 2000, used by permission; ellipsis in original.

[17] See Robert J. Matthews, 鈥淩esurrection: The Ultimate Triumph,鈥 in Jesus Christ: Son of God, Savior, ed. Paul H. Peterson, Gary L. Hatch, and Laura D. Card (Provo, UT: Religious Studies Center, Brigham Young University, 2002), 332鈥33.

[18] Douglas H. Bradshaw, 鈥淎xon Regeneration: A Receptor for Nogo-66 Is Identified,鈥 paper presented to the Department of Biophysics, Johns Hopkins University, April 2, 2001.

[19] 鈥淓aster,鈥 lines 27鈥30, in George Herbert, The Complete English Works, ed. Ann Pasternak Slater, rev. ed. (New York: Knopf, 1995), 39.